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Bowie, DavidBritannica Student Article

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(born 1947), British singer, songwriter, and actor. With his outlandish costumes, chameleon-like personalities, and musical diversity, David Bowie reigned as the king of glam-rock in the 1970s. Despite his sometimes strange, sometimes elegant appearance, Bowie won critical and commercial acclaim for his dozens of recordings, conducted sold-out world tours, wrote and produced hits for other artists, and acted in theater and feature films.

Bowie was born David Robert Jones on Jan. 8, 1947, in London to Haywood Stenton Jones and Margaret Mary Burns. David was reared in a poor section of London. He became interested in music at an early age; his parents exposed him to the music of American rockers Elvis Presley and Little Richard, and he took up the guitar and tenor saxophone. In high school he studied commercial art, which prepared him for a short stint as a graphic artist at an advertising agency. Meanwhile, he had formed a succession of rhythm and blues groups, including one named Davey Jones and the Lower Third. To avoid confusion with Monkees recording star Davy Jones, he changed his name to David Bowie (after the Bowie hunting knife).

In addition to music, Bowie studied painting and mime with a well-known mime troupe, which later influenced his theater work. He also dabbled in Buddhism at a Scottish monastery. By the late 1960s Bowie had formed his own mime troupe, called Feathers. During this time he met American-born Angela Barnett in London. The two were married in 1970 and had a son, Zowie, the following year.

After Bowie's mime troupe broke up he needed capital, so he signed a recording contract and released Man of Words, Man of Music (1969), which featured his first hit single, ‘Space Oddity', a bizarre, haunting tale of a doomed spaceman. His next album, The Man Who Sold the World (1970), contained dark, futuristic themes and a cover depicting Bowie decked out in a dress and makeup. Although the album did not fare as well as its predecessor, Bowie suddenly had a cult following on both sides of the Atlantic as king of glitter rock.

In the early 1970s Bowie took over from Marc Bolan as leader of the so-called glam-rock or glitter movement, wearing makeup and extraordinary clothes and leading his band, The Spiders from Mars, under the persona of Ziggy Stardust, an androgynous rock superstar sporting bright, henna-red hair and an eye patch. Leaving Ziggy and the band at the height of their success, he began another rapid series of changes. His other personalities during the decade included Aladdin Sane, who wore a lightning bolt across his face and a painted-on teardrop hat, and the Thin White Duke, with slicked-back hair and white suits. Although Bowie's popularity was growing in America, many of his hit singles of this period, such as ‘Starman' (1972), ‘The Jean Genie' (1972), ‘Drive In Saturday' (1973), and ‘Sorrow' (1973), made the charts only in Britain. ‘Changes' (1972) made the charts in the United States.

Bowie composed and produced for other artists as well. He boosted rocker Lou Reed's career by producing his hit single ‘Walk on the Wild Side' (1972), he wrote and produced Mott the Hoople's classic ‘All the Young Dudes' (1972), and he produced several hit albums for Iggy Pop. By the mid-1970s Bowie had moved to Los Angeles, Calif., where he ventured into feature films. He appeared in Nicolas Roeg's film ‘The Man Who Fell to Earth' (1976) and had his first American number-one hit single with ‘Fame'(1975), cowritten with John Lennon. Bowie pioneered white Philadelphia soul with Young Americans (1975) and moved into more experimental blends of funk, crooned ballads, and electronics for albums like Station to Station (1976) and Low (1977).

Bowie grew tired of Los Angeles and briefly returned to England before settling into semi-seclusion in Berlin, Germany, where he painted and studied art while trying to end his dependence on drugs. In the late 1970s Bowie hooked up with rocker Brian Eno and collaborated on several avant-garde albums. His eventful life took its toll on his marriage; he and Angela divorced in 1980. Bowie received custody of his son, whom he renamed Joey.

In the early 1980s Bowie was back on top of the charts with his paranoiac Scary Monsters album (1980), featuring ‘Ashes to Ashes', and ‘Fashion'. Bowie subsequently concentrated on his acting career, playing the title role in ‘The Elephant Man' on Broadway and in Chicago, Ill., and Denver, Colo. In 1981 he collaborated with Queen on their smash hit ‘Under Pressure'. In 1983 Bowie returned to the stage for his first live rock shows in five years, with a world tour that took him from Europe and Britain to the United States and then Japan and Australia. The tour followed the release of his most commercial album up to that time, Let's Dance (1983), a confident collection of partly crooned white funk dance songs. The album spawned the hits ‘China Girl', ‘Modern Love', and the title track. He also plunged into the burgeoning music video industry and acted in films, including ‘Merry Christmas, Mr. Lawrence' (1983), ‘The Hunger' (1983), ‘Into the Night' (1985), ‘Absolute Beginners' (1986), and ‘Labyrinth (1986).

In the 1990s Bowie continued releasing albums, including the multi-CD retrospective Singles 1969–1993, as well as performing live. The multifaceted Bowie married model Iman in 1992, delved into new technologies with Jump (1994), a CD-ROM, and appeared as artist Andy Warhol in the feature film ‘Basquiat' (1996). He was inducted into the Rock and Roll Hall of Fame in 1996.

Bowie's contribution to pop music was his belief in style and change. While the performers of the 1960s had believed in honest self-expression and individualism, Bowie saw himself as the “cracked actor,” taking on different roles, personas, and looks and discarding them when they were no longer needed.